That’s actually good advice for any leadership position: Even if what you're doing is not that great, if you strongly believe it is, people will be more willing to help you do it. And not being afraid to show how confident they are to all of the crew members and actors. In order to achieve success in their position, directors must have a particular set of skills (pun intended) such as:Ī good director must be confident in their work. That helps them to better communicate and transmit their concepts to each member of the crew, making it easier for them to properly fulfill the director’s creative vision. It’s preferable that a director has a basic notion of not only what a cinematographer has to do (and how they do it) but about all the other key members of the team. That, of course, also includes members of the post production team, such as editors, ADR technicians, CGI experts, etc. If a director has a more firm creative control over the production at hand, they’ll be responsible for selecting basically all of the main crew members that will be working alongside them. The director’s work begins before the cinematographer’s work.

And that includes, of course, the cinematographer. They must delegate and instruct all of the key crew members in order to successfully achieve the vision they see fit for the narrative. The director is the one responsible for deciding what the creative vision of a film, TV series or any other kind of audiovisual (or stage) production is going to be. That includes talking a little bit about average salary, skills required for both positions and their main responsibilities when working in a film or TV production.Ĭredit: Emmanuel Lubezki, Alejandro González Iñárritu and Michael Keaton on the set of Birdman (2014). Knowing that confusion about these two occupations can be quite common, the Red Carpet Rookies team decided to talk a little bit about what differentiates them, as well as the main characteristics of both. Their responsibilities indeed can be quite similar sometimes, but that’s only ‘cause they can be trying to achieve the same goals. Truth is, they’re supposed to complement each other’s work while on set. I remember being like “What the hell? Isn’t the director literally behind the camera all the time? I mean, he’s the DIRECTOR…Who’s this other guy?” After quite some time and many other movies added to my collection, I slowly began to learn what was the difference between those two jobs. Ironically, that guy, most of the time, wasn’t the director. I remember seeing some pictures of movie sets when I was a kid and there was always a guy behind the camera, with his eyes in the viewfinder.

When seeing the credits at the end of a film (and not knowing that much about filmmaking) you can get quite confused by who’s in charge of what exactly.

Movie cameraman salary